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With this outrageous new novel, China Miéville has written one of the strangest, funniest, and flat-out scariest books you will read this—or any other—year. The London that comes to life in Kraken is a weird metropolis awash in secret currents of myth and magic, where criminals, police, cultists, and wizards are locked in a war to bring about—or prevent—the End of All Things.
In the Darwin Centre at London's Natural History Museum, Billy Harrow, a cephalopod specialist, is conducting a tour whose climax is meant to be the Centre’s prize specimen of a rare Architeuthis dux—better known as the Giant Squid. But Billy's tour takes an unexpected turn when the squid suddenly and impossibly vanishes into thin air.
As Billy soon discovers, this is the precipitating act in a struggle to the death between mysterious but powerful forces in a London whose existence he has been blissfully ignorant of until now, a city whose denizens—human and otherwise—are adept in magic and murder.
There is the Congregation of God Kraken, a sect of squid worshippers whose roots go back to the dawn of humanity—and beyond. There is the criminal mastermind known as the Tattoo, a merciless maniac inked onto the flesh of a hapless victim. There is the FSRC—the Fundamentalist and Sect-Related Crime Unit—a branch of London's finest that fights sorcery with sorcery. There is Wati, a spirit from ancient Egypt who leads a ragtag union of magical familiars. There are the Londonmancers, who read the future in the city’s entrails. There is Grisamentum, London’s greatest wizard, whose shadow lingers long after his death. And then there is Goss and Subby, an ageless old man and a cretinous boy who, together, constitute a terrifying—yet darkly charismatic—demonic duo.
All of them—and others—are in pursuit of Billy, who inadvertently holds the key to the missing squid, an embryonic god whose powers, properly harnessed, can destroy all that is, was, and ever shall be.
"It is a very dense read, however, and lacks the thrills of City & the City, but Miéville’s dedicated readership will be willing to persevere to the end." - Booklist
"Somebody or something, ho-hum, intends to destroy the world. But less than a hundred pages in, the lack of a plot becomes a serious drag...Likely reaction: raised eyebrows, head-scratching bewilderment." - Kirkus Reviews
"Even Mieville's eloquent prose can't conceal the meandering, bewildering plot..." - Publishers Weekly
This information about Kraken was first featured
in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.
Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Photo: Ceridwen
China Miéville lives and works in London. He is a three-time winner of the prestigious Arthur C. Clarke Award (Perdido Street Station, Iron Council, and The City & the City) and has also won the British Fantasy Award twice (Perdido Street Station and The Scar). The City & The City, an existential thriller, was published in 2009 to dazzling critical acclaim and drew comparison with the works of Kafka and Orwell (The Times) and Phillip K. Dick (<>The Guardian). The City & The City recently won the British Science Fiction Award, the Arthur C. Clarke Award, and tied with Paolo Bacigalupi's The Windup Girl for the 2010 Hugo Award. It was also shortlisted for the Nebula.
Miéville explained his unusual first name in a 2003 interview:
"My parents were hippies, and the story is that...
... Full Biography
Author Interview
Link to China Mieville's Website
Name Pronunciation
China Mieville: mee-AY-vill
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Censorship, like charity, should begin at home: but unlike charity, it should end there.
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